Life Movie Review by Manny Terrero

Life is another film that, like many other sci-fi films, takes a turn in observing what could happen if humans made contact with extraterrestrial life. And as seen in many other examples, the outcome isn't so pleasant.  

The film begins when a six person space crew aboard the International Space Station are able to capture a space probe returning from Mars with a very precious piece of cargo - the first known extraterrestrial life. The cellular alien organism, nicknamed Calvin, reveals many signs of accelerating intelligence until one day an atmospheric chamber malfunction seemingly kills the organism. This causes the astronauts, specifically biologist Hugh Derry (Ariyon Bakare) to stimulate the flowery looking creature with an electric shock, that not only revives Calvin but makes it more hostile as well. From here on out, chaos ensues as Calvin grows in size and power as it preys upon the astronauts. And the disaster only worsens when communication systems on the station are lost and the crew make several missteps in trying to eliminate the deadly creature.

The biggest aspect that surprised me about Life was its effectiveness in showing the evolution of a simple, small organism into a vile and disturbing creature that wreaks havoc on its victims. Its progression from its innocent, infant stage to its mature, murderous self was scary to watch. The creature of Calvin is one that has the potential to remembered for quite some time in science fiction cinema. It was also possibly meant to be an allegory for the progression of human beings. As Hugh Derry says at one point in the movie, "The purpose of all life is to survive." While Calvin at first is in need of care and support by its scientists on board, it soon learns to adapt on its own and do anything it can to survive without regard to other life forms. Similar to the way some humans can be. 

The horror elements of the film worked well. And the chemistry between the cast was evident as they played their roles. Plus, the visual effects were top notch. So what was wrong with Life?  The biggest downfall of the film was ultimately its lack of style or unique creative vision. Life feels like an amalgamation of sci-fi films of the past. With its tense International Space Station disaster scenes reminding us of Alfonso Cuaron's "Gravity" or its monstrous blood thirsty Martian life form terrorizing the crew (the parallels to Ridley Scott's "Alien" are rampant), it's not hard to notice that Life is trying to pave its own path yet can never leave the shadow of other and better science fiction films. That's not to say there aren't moments that stick out. Calvin is particularly disturbing when it enters the body of pilot Rory Adams (played by Ryan Reynolds) and kills him from within or when Calvin evolves into its mature self and has a stare down contest with Jake Gyllenhaal's character. But the monster itself should not be the best part of a film. The overall ambience should have a certain mood and feel. Life lacks the grand scope of Christopher Nolan's Interstellar, the carefully paced dread of Ridley's Scotts Alien, and the emotional substance of Cuaron's Gravity. But ultimately Life lacks what made each of those films great, originality. And without that, there's not much life to the film. 

Grade: B-

Sicario Movie Review by Manny Terrero

Denis Villeneuve must be the cinematic equivalent of a sicario, because with this film he finds his target and executes it with precise accuracy. The target of course is the notorious drug trade that plagues both sides of the border between the USA and Mexico. A drug war that seems to have lasted for so long yet we seem to be persistently losing. The reason being? Well Josh Brolin’s character, Matt Graver, said it best, "If 20% of the population can be convinced to not partake in drugs, the war would be over immediately, but since that’s not the case. Order is required." This is to, paradoxically, keep a stable chaos. A chaos where one drug cartel reigns and others don’t supplant it from its throne.  Where the governments can monitor the illegalities all while enforcing laws as well.

One of the law enforcers in this film is protagonist Emily Blunt, who plays Kate Macer, a reserved and deeply conflicted FBI agent. Her subdued performance is one that is relatable, but her strength in such adversity that she faces through the film is admirable when thinking of many others that would probably not have the same mental fortitude as she does. But even then, she is severely tested by her enemies, and her “friends” in this world of the illegal drug trade that blurs the line between good and evil.  As co-star Benicio Del Toro later says in the movie to Blunt. “You’re not a wolf. This is city of wolves. You will not survive.”

SPOILER: Just in the paragraph below

Speaking of which, another powerhouse role by Benicio Del Toro who plays the sicario in question, Alejandro Gillick. His calm demeanor on the surface is something of a fasade as he later reveals his bubbling interior as an angry man who seeks revenge for the family he lost. He is the anchor to the ship so to say. His presence elevates the film to atmospheric heights as his intimidating looks and one liners show just how dangerous he his. Less is more they say.

While the acting is truly great, one must not forget the mood set by director, Denis, legendary cinematographer, Roger Deakins, music composer Johann Johannsson, editor Joe Walker and the rest of the effects, design, and lighting crews that helped make this film a dark experience. There never seems to be a shot that doesn’t belong in the film. Every angle has a purpose whether it aims to make you feel claustrophobic and suffocated or small and weaker than the subject at hand. With crisp editing and beautiful aerial shots that evoke more of the depressive mood, Sicario isn’t a movie you will feel good about after watching. The disturbing images and ideas will be with you long after you leave the theater, but even more so is the sense of dread that the movie will leave you with after watching. This is something that many modern-day horror films unsuccessfully try to accomplish, yet Sicario does so perfectly with a concept based in reality that is scarier than any horror premise out there. 

Manny's Grade: A

Happy Halloween by Manny Terrero

Song I came across on my Soundcloud feed. I have a feeling this is gonna get a lot more recognition. 

As a gift for hitting 50k fans on Facebook, I'm doing a little throwback thursday and giving away Pure Evil which I released through Buygore Records. Follow Jauz: www.facebook.com/JauzOfficial twitter.com/Jauzofficial SC: @jauzofficial Follow Sullivan King: www.facebook.com/SullivanKingMusic twitter.com/Sullivankingg SC: @sullivankingmusic Follow Buygore: www.facebook.com/buygore twitter.com/Buygore SC: @buygore

Feeling nostalgic... by Manny Terrero

Sometimes a song just brings up old memories of a time long past. Let me take you back to the late 1990s with Kartell's remix of Christina Aguilera's "Genie In A Bottle." A unique blend of house and R&B.